After Millie and I started to draw up our storyboards and having a talk with our media teacher, Millie and I realised we didn't have a unique selling point. We decided to come up with some ideas that could slightly alter the plotline to provide a USP.
Idea 1:
Alice and Maggie have a secret relationship which is put under pressure when Maggie wants their relationship to be known by their family and friends. This is a problem because Alice isn't openly gay where as Maggie is. Alice isn't ready to open up to her family and friends and has to decide whether to come out and be with Maggie or to stay in the closet and deal with the consequence of losing Maggie.
Idea 2:
Maggie and Alice fall deeply in love and are both open about it to their friends and family. But suddenly Maggie dies, by either a tragic accident or suicide. Alice is left alone to recover from her broken heart with no support from her friends as they all fell out when she started her relationship with Maggie. Due to Alice being left alone the plot line then shows her regaining her strength.
Idea 3:
Alice and Maggie are keeping their relationship a secret but not because one of them I sin the closet because Maggie has a boyfriend. To make matters even worse Maggie's boyfriend is the local crime goer and if he found out about the relationship both Maggie and Alice would be in great danger. The plotline then shows them risking keeping the relationship a secret to be with one another and then having to run away from Maggie's ex-boyfriend and his friends.
Monday, 17 October 2016
Film Trailer = First Draft of Plan
Shot 1: Central Protagonist: Alice is in the shower, looking into the mirror. Lighting is artificial and has an orange tint to it. We will use an over the shoulder shot to show her reflection in the mirror.
Shot 2: Shows Alice in a natural setting which we've chosen to be her school, a wide shot is used to show off location.
Shot 2: Shows Alice in a natural setting which we've chosen to be her school, a wide shot is used to show off location.
Shot 3: Shows Alice with her friends and meeting the romantic interest, Maggie. They meet by making eye contact across the room or hallway, they haven’t yet met before. Camera tracks Maggie from the perspective of Alice, so it's like through her eyes and then tracks around to show Alice looking at Maggie as she walks by. This scene could have bright lighting, to portray the characters happy emotions.
Shot 4: Dismemberment shots of Alice and Maggie lying in a bed. We will make sure there is a smooth transition from each shot to highlight how there isn’t a large transition of time between the shots. Shots show their hands and legs and hair etc. without directly showing either of their faces.
Shot 5: Alice is in the middle of two of her friends who are taking funny photos, such as kissing her cheeks either side or making peace signs with their hands. Then a sound bridge to the next shot with dialogue 'do you ever wonder what | their reaction might be?' This is talking about the reaction of her friends.
| = new shot. Next shot shows her finishing her sentence as she looks up at Maggie.
During the end of this dialogue, the music stops. This allows for a new song to be played which will be more solemn in a contrast to the song that was being played before which was upbeat and happy.
Shot 6: A high angle shot of Alice looking up at Maggie, close up shot to show her emotions, in this intimate situation. The high angle shot puts them in a position of vulnerability, especially Alice.
Shot 7: This shot shows that all of Alice and Maggie’s friends have found out about their relationship and their reactions aren’t good. Alice is looking on social media and is seeing all of the negative things people are saying about her.
Shots after this could speed up and become shorter. Final shots switch from negative to positive content, back and forth.
Shot 8: This shot is continued on from the first shot and shows Alice in the shower again. We will keep the artificial lighting as it shows how she believes her friends won't be open to the idea and could suggest that she believes the way she feels towards Maggie is 'unnatural' like the lighting.
Shot 9: Alice and Maggie are shown arguing/shouting maybe in a private place such as a bedroom or in the school environment so the situation is more intense.
Shot 10: Returns to the dismemberment shots (shot 4) of Alice and Maggie again.
Shot 11: Alice is scrolling through the negative posts on social media on her laptop. Shot reverse shot is used to show the audience the comments on the screen and then to show Alice’s reaction to these comments.
Shot 12: Alice then says ‘All has changed since loving you’. The shot then fades out to black to reveal the title ‘Loving You', which appears as the words are said.
End
Film Trailer = Recruitment Poster
Millie and I decided we wanted to use students from our own school in our trailer, preferably ones who study A Level or AS Level drama. So we decided to create a poster which we printed out and stuck around our sixth form area and in the drama department, in order to target the correct students.
Tuesday, 4 October 2016
Monday, 3 October 2016
Film Trailer = Final Idea
Millie and I decided to produce our own social realist drama. This genre normally focuses on topical issues in current modern society, such as money, drugs, sex, class and political views. Here is our trailer brief:
Project Name:
|
Loving You
|
Medium/Format:
|
Film trailer and accompanying poster and
magazine cover
|
Length:
|
Three to four minutes
|
Deadline:
|
16th December 2016
|
Group Members:
|
Ella Sandison and Millie Turner
|
Brief overview of content (approx. 50 words):
|
The trailer starts with one central
female protagonist who feels awkward around her friends because they don’t
know that she is gay. She meets a girl who is in a heterosexual relationship, the second central
protagonist, and they fall in love. Her friends and the boyfriend find out about the relationship
and things take a turn for the worse. After a period of self-confliction and
torment she comes to grips with her sexuality.
|
Target audience (age, gender bias (if
any), Socio-economic status and lifestyle profiling):
|
Teenagers of both sexes, this is because
it is easier for them to relate as it is produced by teenagers and the main
protagonists and other characters will all be of this age.
|
Possible Scheduling/ publishing
suggestions:
|
The trailer would be shown in cinemas
before films of a similar genre, in order to target the correct film goers.
It could also been shown around television programs, or film shown on TV, of
the same genre to again target the correct people.
|
What comparable products have you
researched?
|
We watched the trailer for ‘Blue is the
Warmest Colour’ which is about a girl realising her sexuality and over-coming
the stigma around it. We also watched the trailer for ‘trainspotting’
although this doesn’t share any similarities in plot line it is a social
realist drama which is was we intend to produce.
|
What is the rationale behind this text? (What
key codes and conventions will we use to keep the audience engaged?)
|
Our trailer will include minimal special
effects in order to keep it as realistic as possible. We will also do this by
focusing on the majority of the populations feeling and emotions and not just
a small select percentage.
|
What representations will be operating in
your text? Are these justified?
|
One representation we will be using is
innocent youth. This is because it can present the characters as more naïve
as they haven’t been exposed to the world, and we can play on this throughout
the trailer. Another representation would be of homosexual relationships,
this relationship goes against the stereotype of their being a more masculine
partner and a more feminine partner.
|
How will you test whether the product is
successful? How will you check that it accomplishes the intended effect?
|
We will use questionnaires to evaluate
our product and these will be handed to people in our target audience after
they have viewed the trailer. The questions will be tailored to see whether
our representations have come across correctly and to see how effective our
conventions are.
|
What generic codes and conventions will
be operating in your text?
|
The setting will be in a school
environment in order to incorporate the idea of awkwardness between her and
her friends and peer-pressure. These ideas are normally more apparent in a
school environment.
|
What are overt (obvious) messages
incorporated into the text?
|
The obvious message in this trailer that
homophobia is wrong and that not
all love stories are heterosexual.
|
Are there any (hidden) messages
incorporated into the text?
|
The hidden message is internal
homophobia, the rejection of what the protagonist is feeling.
|
Identify any resource constraints (time,
money, equipment, human resources) that might affect your production and your
hopes for your product?
|
Time is always at a shortage, so
effective time management will be key in order to complete the task in time.
Money shouldn’t be an issue as this is a social realist drama, it won’t
require special effects or costly camera equipment. However, human resource
will be hard to tackle. As we require a handful of actors/actresses we will
have to think carefully about people’s time tables and free time in order to
have the whole cast together at once.
|
Additional Notes:
|
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